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Deanna Durbin - Great Hollywood Soprano from Canada (高清 MV)

Deanna Durbin - Great Hollywood Soprano from Canada (高清 MV)

http://en.wikipedia.org/wiki/Deanna_Durbin



Deanna Durbin (born December 4, 1921) is a Canadian singer and Academy Award-winning actress from Hollywood films of the 1930s and 1940s.

Early life
Born Edna Mae Durbin at Grace Hospital in Winnipeg, Manitoba, Canada, she adopted the professional name Deanna at the commencement of her career. Her parents, James and Ada Durbin, were immigrants from Lancashire, England, and she had an older sister named Edith.


Career
Durbin signed a contract with MGM in 1935 and made her first film appearance in a short subject Every Sunday with another contractee, Judy Garland. Studio executives were questioning the wisdom of having two girl singers on the roster and the film was to serve as an extended screen test for the pair. Ultimately Louis B. Mayer decreed that both girls would be kept, but by the time that decision was made Durbin's contract option had elapsed.[1]

In Life magazine's December 21, 1936 issue, before the release of her first feature length film, a young Deanna was featured in the article "Their Music Makes News", which was about new and exceptional young musical talents, and is pictured cutting her 14th birthday cake.

Durbin was quickly signed to a contract with Universal Studios and made her first feature-length film Three Smart Girls in 1936. The huge success of her films was reported to have saved the studio from bankruptcy.[2] In 1938 she received a special Academy Juvenile Award, along with Mickey Rooney. Such was Durbin's international fame and popularity that diarist Anne Frank pasted her picture to her bedroom wall in the Achterhuis where the Frank family hid during World War II. The picture can still be seen there today, and was pointed out by Frank's friend Hannah Pick-Goslar in the documentary film Anne Frank Remembered.

Durbin is perhaps best known for her singing voice—a voice described variously as light but full, sweet, unaffected and artless. With the technical skill and vocal range of a legitimate lyric soprano, she performed everything from popular standards to operatic arias. Dame Sister Mary Leo in New Zealand was so taken with Durbin's technique that she trained all her students to sing in this way. Sister Mary Leo produced a large number of famous sopranos including Dames Malvina Major and Kiri Te Kanawa, all of whom were said to sound like her.

Durbin married an actor, Vaughn Paul, in 1941 and they were divorced in 1943. Her second marriage, to film producer Felix Jackson in 1945, produced a daughter, Jessica Louise Jackson, and ended in divorce in 1949.

Gossip columnist Hedda Hopper alleged that Durbin had an affair with Joseph Cotten. However, the slur was completely untrue as Cotten testified in his autobiography. What brought about the rumor of an affair was that both Cotten and Durbin stayed overnight at the studio without the other one knowing it, only to realize it when they met the next morning at the commissary. Cotten was so enraged by Hopper's conduct that he kicked her chair out from underneath her just as she was about to sit down at a Hollywood function. This generated a spontaneous round of applause from spectators.[citation needed]

In private life, the actress continued to use her given name; salary figures printed annually by the Hollywood trade publications listed the actress as "Edna Mae Durbin, player." Her studio continued to cast her in musicals, and filmed two sequels to her original success, Three Smart Girls. The second sequel was a wartime story called Three Smart Girls Join Up, but Durbin issued a press release announcing that she was no longer inclined to participate in these team efforts and was now performing as a solo artist. The Three Smart Girls Join Up title was changed to Hers to Hold.

She made her only film in Technicolor in 1944, Can't Help Singing featuring some of the last songs written by Jerome Kern. It has a distinction of being one of the few musical comedies with a Western setting, filmed mostly on location in southern Utah. Her co-star was Robert Paige, who is better known for his work in television dramas in the 1950s.[3]

Durbin then tried to assume a more sophisticated film persona in such films as the film noir Christmas Holiday (1944) and the whodunit Lady on a Train (1945), but the public preferred her in light musicals. In 1947, her employers merged with two other companies to create Universal-International, and the new regime discontinued most of Universal's familiar product, including musicals, westerns, and comedies. Durbin stayed on for three more pictures before quitting the studio in 1948. Durbin's new bosses sued her for wages they had paid in advance, but Durbin settled the suit amicably by agreeing to make three more pictures, including one to be filmed on location in Paris.

Durbin did go to Paris, but not for professional reasons. She married Charles David, who had directed her in Lady on a Train. Durbin vowed that she would never return to show business, so the three films were never made.

She and her husband raised Durbin's second child, Peter David. Since then she has resisted numerous offers to perform, including several by Mario Lanza, and has granted only one brief interview in 1983, to film historian David Shipman, steadfastly asserting her right to privacy. She maintains that privacy today, declining to be profiled on Internet websites. However, she made it known that she did not like the Hollywood studio system and decided to retire.[4]

Her husband, director Charles David, died in Paris on March 1, 1999.

Deanna Durbin has a star on the Hollywood Walk of Fame at 1722 Vine Street.


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Deanna Durbin sings Mozart's Alleluja

http://hk.youtube.com/watch?v=q6tg8GzMZ_I&fmt=18


Deanna Durbin sings Brindisi from Act I of La Traviata

http://hk.youtube.com/watch?v=XslsOflN4b4&eurl&fmt=18


Conductor : Leopold Stokowski

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Deanna Durbin - Un Bel Di

http://hk.youtube.com/watch?v=LB2OTEcRhBs&fmt=18

A 17 year old Durbin sings Puccini's great aria from Madame Butterfly (in English - "One Fine Day"). From the 1939 film "First Love", a movie adaptation of Cinderella, her prince returns the missing slipper as she sings to the students and faculty of her high school.

A stunning performance by any standard, but for a 17 year old, almost unbelievable. From age 15, Durbin's services were sought by the Metropolitan Opera, but she chose to make movies instead.

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Schubert - Ave Maria - Deanna Durbin

http://www.youtube.com/watch?v=lT_b_MWrJQU&eurl&fmt=18


Deanna Durbin, at age 18, singing Franz Schubert's masterpiece. Here is what Schubert had to say about this song, in a letter to his father:

"My new songs from Scott's 'Lady of the Lake' especially had much success. They also wondered greatly at my piety, which I expressed in a hymn to the Holy Virgin and which, it appears, grips every soul and turns it to devotion."
________________________________________
Ave Maria
Gratia plena
Maria, gratia plena
Maria, gratia plena
Ave, ave dominus
Dominus tecum
Benedicta tu in mulieribus
Et benedictus
Et benedictus fructus ventris
Tuae, Jesus.
Ave Maria

Ave Maria
Mater Dei
Ora pro nobis peccatoribus
Ora, ora pro nobis
Ora, ora pro nobis peccatoribus
Nunc et in hora mortis
In hora mortis nostrae
In hora mortis, mortis nostrae
In hora mortis nostrae
Ave Maria

Amen
________________________________________ __

Hail Mary,
full of grace,
the Lord is with thee;
blessed art thou among women,
and blessed is the fruit of thy womb,
Jesus.

Holy Mary,
Mother of God,
pray for us sinners,
now and at the hour of our death.
Amen.
______________________________________

The close-ups are of her co-stars in the film: Kay Francis, Walter Pidgeon, Cecilia Loftis, Lewis Howard, Samuel S. Hinds, and the wonderful S.Z. Sakall (Carl the waiter from Casablanca) in his American film debut.

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Deanna Durbin with Vienna Boys Choir - Ave Maria - Bach/Gounod


http://www.youtube.com/watch?v=xo7WDNWM8lY&fmt=18


Deanna Durbin and the Vienna Boys Choir (Wiener Sängerknaben) perform the Bach - Gounod setting of Ave Maria.

This performance was filmed in the fall of 1937, when Durbin was 15 years old. The movie it is taken from is "Mad About Music".

Thanks for dholl17 for pointing out that the boys choir you see is the St. Luke's Choristers from Long Beach, CA. However they are just mouthing the words that Deanna Durbin and the Vienna Boys Choir had already recorded.

*Note - this is the second version I've posted. The earlier version simply had too much distortion. This time, I've made a new master DVD from my original tape and uploaded with a program which allows for higher quality sound transfers, and I hope the listener will now be able to appreciate a little bit more how Miss Durbin sounded. Still, considering the recording was made in 1937 with primitive equipment by today's standards, there is no way to know just how great her voice was.*

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Tosti - Goodbye - Deanna Durbin


http://www.youtube.com/watch?v=8kWgZr8bSXg&eurl&fmt=18


Performer - Deanna Durbin
Music - Francesco Paolo Tosti
Lyrics - George John Whyte-Melville

Goodbye, forever! Goodbye, forever!
Goodbye! Goodbye! Goodbye!

Hush! a voice from the far away!
"Listen and learn," it seems to say,
"All the tomorrows shall be as today."
"All the tomorrows shall be as today."
The cord is frayed, the cruse is dry,
The link must break, and the lamp must die --
Goodbye to Hope! Goodbye! Goodbye!
Goodbye to Hope! Goodbye! Goodbye!

Falling leaf and fading tree,
Lines of white in a sullen sea,
Shadows rising on you and me;
Shadows rising on you and me;
The swallows are making them ready to fly,
Wheeling out on a windy sky.
Goodbye to Hope! Goodbye! Goodbye!
Goodbye to Hope! Goodbye! Goodbye!

What are we waiting for? Oh, my heart!
Kiss me straight on the brows! and part again!
Again! my heart! my heart! What are we waiting for, you and I?
A pleading look, a stifled cry.
Goodbye, forever! Goodbye, forever!
Goodbye! Goodbye!

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Fritz Kreisler - The Old Refrain - Deanna Durbin


http://www.youtube.com/watch?v=1n8jqR6VzUY&fmt=18



Performer - Deanna Durbin
Music - Fritz Kreisler
Lyrics - Alice Mattullath

This song was written in 1915 and dedicated to great Irish tenor John McCormack. He made the first recording in 1916.

I often think of home Dee-ol-ee-ay
When I am all alone and far away;
I sing an old refrain, dee-ol-ee-ay
For it recalls to me a bygone day

It takes me back again to meadows fair
Where sunlight's golden rays beam everywhere
My childhood joys again come back to me
My mother's face in fancy too I see

It was my mother taught me how to sing
And to that memory my heart will cling
I'm never sad and alone while on my way
As long as I can sing Dee-ol-ee-ay

Though years have passed and gone, dee-ol-ee-ay
And though my heart is young my head is grey.
Yet still the echoes ring, dee-ol-ee-ay
And dear old memories forever stay.

This song will bring me visions full of light
And sweetest dreams throughout the darkest night
Of all that life can give, that song is best
I'll take it with me when I go to rest

And when at last my journey here is o'er
'Twill ring more joyfully than e'er before
For up to heavens I will take my lay
The angels, too, will sing dee-ol-ee-ay



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Deanna Durbin - La Traviata (Studio Version)



http://www.youtube.com/watch?v=eHYEuMKkK5A&fmt=18

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Deanna Durbin - I'll Take You Home Again Kathleen


http://www.youtube.com/watch?v=cGQYjcf0qu4&fmt=18

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